Listening Room:

Music & Technology

* Liquid Fuse, Downsider & Gizmo - interactive
playback (2015). Kathryn Alexander, music
technologist, world premiere. Festival of
Emerging Technologies and Arts, Miami, FL.

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* Jabberin’ - voice and interactive playback
(2012). Jennifer Beattie, mezzo-soprano,
and Kathryn Alexander, music technologist,
world premiere. Off-Broadway Theater, Yale
University, New Haven, CT.

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* The Harbingers of Light - disembodied voice,
flute and playback (2012). Distinktion, world
premiere. Brooks-Rogers Recital Hall
Bernhard Music Center, Williams, MA.

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* A Rapture As Of Legacies - baroque violin,
gamelan and interactive playback (2012).
Robert Mealy, baroque violinist , Sarah
Weiss, gamelan, and Kathryn Alexander,
music technologist, world premiere.
Beinecke Library, Yale University, New
Haven, CT.

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* … ManiaREDUX! - digital percussion and
interactive playback (2004). Tim Feeney,
digital percussionist and Kathryn
Alexander, music technologist, world
premiere. Morse Recital Hall, Yale University,
New Haven, CT.

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* … Mania! - solo percussion and interactive
playback (2001). Tim Feeney, acoustic
percussionist and Kathryn Alexander, music
technologist, world premiere. Interfaced
Culture Conference, Digital Media Center for
the Arts, New Haven, CT.

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* Abstracted Cisms II - interactive playback
(2001). Kathryn Alexander, music
technologist. Digital Media Center for the
Arts, Yale University, New Haven, CT.

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* Abstracted Cisms I for computer-generated
audio playback (1998). Kathryn Alexander,
music technologist. Yale University Art
Gallery, New Haven, CT.

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* Entelechic Disturbances for computer-
generated playback (1995). Kathryn
Alexander, music technologist. Future Music
Oregon, University of Oregon, Eugene, OR.

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* And The Whole Air Is Tremulous for flute
and electronic playback. Dorothy Stone,
flute, Los Angeles, CA. New World Records,
(1994).

* One Haze, One Incandescence for dancer
and playback (1983). Laura Chapman,
dancer and choreographer. AKI Festival, Cleveland Museum of Art,
Cleveland, OH.

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