My pieces draw upon a range of disciplines, including literature, the visual and plastic arts, the sciences, and technology to develop formal schema that distill from the abstract rather than from literal, programmatic meaning. This interdisciplinary approach has culminated in an extensive array of compositions, ranging from pieces for solo instrument and chamber ensemble, solo voice and orchestra, to technological presentations and multimedia works. When I engage music with the other arts, whether for dramatic or abstract expression, or as sonic sculpture, I seek to highlight the processes of transformation and the beauty of change. The result is a varied repertoire of solo, chamber and large-scale compositions described variously by critics as music in which …